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The newest Slaid Cleaves CD, Wishbones on Philo/ Rounder Records (reviewed elsewhere this edition), which features a tougher sound, has received strong reviews; Morlix was asked if anyone had said it sounded a bit like a Gurf Morlix record with Cleaves singing, which he replied no: We decided that he wanted a bit more of a muscular sound; he said he wanted to get out of the folk ghetto and maybe get some more mainstream airplay.
Morlix spends most of his working time recording musicians in his studio outside Austin. Making a record takes 3-4 weeks; I can make 6-7 records easily in nine months, although I seem to work all the time, by choice. Im never booked way in advance and I keep making records with my friends: Slaid Cleaves, Ray Wylie Hubbard and Mary Gauthier, and its hard to say which came first, the chicken or the egg, with whether they were friends or musical colleagues first, but Ray did bring Mary over one day before I worked with her. I loved working with Jim (Whitford) on his record and with The Pine Dogs. Making music is supposed to be fun but the record business can get in the way. Linda McRae is a friend who I probably met in 1988-89 and we just hit it off; she is a riot to be around (and she recorded Gurfs Falling off the Face of the World on her last CD, Cryin out Loud, which Morlix produced).
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